This gallery of sample shots was taken in varying lighting conditions from bright direct sunlight to deep shade, as well as indoors with and without flash. The Kodak M35 certainly isn’t the sharpest tool in the box, however, with typically poor retention of fine detail in images, typical of cheap plastic film cameras with single-element lenses. With ISO 400 film, flash proved all but essential when shooting indoors, even under bright room lighting. True to its claims, it gave sufficient headroom for really bright scenes under direct sunlight, yet still delivered usable exposures in deep shade, despite the camera having a fixed exposure setting of 1/120th of a second at f/10. My choice of film was Kodak UltraMax ISO 400 color negative film, which is advertised as giving vivid yet accurate color with a wide exposure latitude. I also took some indoor shots with and without flash. Vibrant colors are usually used for setting accents, while pastel and pale colors often appear in the background or in unprocessed photos.I took the camera for a sunny day out, testing it outdoors in wide-ranging lighting conditions, from direct sunlight to deep shade. Vibrant colors are pure and only exhibit limited amounts of grey, while pastel and pale colors are diluted with grey and are less poppy. The intensity is inversely proportional to the amount of grey in a color. The color intensity is described using one of 7 levels (ordered from the most to the least saturated): There are only 2 hues that are occasionally skipped or ignored when describing complex hues: cyan and magenta.įor example, instead of referencing cyan, the notion of a "greenish blue" may be used. Only combinations of subsequent hues (as listed above) are possible.įor example, there is a "blueish purple", but there is no "yellowish purple". More complex hues can be described as a composition of two hues, one as the primary and one as the secondary hue.įor example, "orangy red" describes a hue that is red with a hint of orange (red is primary and orange is secondary). It ranges between 0% and 100%, with 100% being a perfect match most matches are greater than 95% thanks to the high density of the used color dictionary.Įach color belongs to one of the 8 basic hues: The color match score represents the similarity between the selected color and the most similar color from the dictionary. The supported RGB codes correspond to the 24-bit system where each component ranges between 0 and 255 (8-bit encoding).Ĭolor names are provided by the comprehensive Art圜lick Color Dictionary The Art圜lick Color Name Finder can be used to find color names from the hex or RGB color codes. Since lighting conditions strongly affect the colors in an image, it is recommended to take pictures in natural light to obtain the most representative color names. Once the image is loaded, clicking on the image areas will initiate the color name identification. Change the fill color on the SVG as desired. Place that solid vector area exactly on top of the product JPG. It finds color names for 3 types of input: Kyle Wetton demonstrates, and it’s essentially: Make a vector path that covers the area on the JPG that should change color (probably in Photoshop with the Pen Tool and exporting the vector). The feature "Color Name Finder" provides the most common names for a color.
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